Bittersweet

I am bitter.

I am not sweet.

I am not even a taste of in between. I am not bittersweet with a glimpse of both lemon taffies, and my grandmother’s lemonade. I am so very bitter.

I admit I will never stop appreciating the beauty of – yellow custard lemon tarts, for its ability to be sour, and at the same time: tasteful. You see, I am very good at using useless metaphors, weak symbolism, and analogies that speak like chimes to the people of the gray.

I over analyze life, but I am very bad at telling people how I feel – so he interrupts me, and says that I am sweet, never bitter, “and if you don’t believe me, you’ll believe me when I tell you that your voice is my favorite sound, no matter what words you use – from your analogies, weak symbolism, and useless metaphors. I must be the people of the gray.”

You don’t understand why I don’t discuss my first love with you. I repeat that it is because I am very bad at telling people how I feel, but especially because he is too sweet, and this might mean that I am in love with him still. I am very bitter at even the idea love.

I will admit though, that I am starting to believe in him. His eyes are too soft for me to handle – too sweet, and I don’t think you understand my fear when you look at me with those eyes and tell me that you think that I am sweet, that inside…

“I love you.”

I am not sweet. I am bitter. I am not even a taste of in between. I have repeated, and don’t you dare repeat those words, because I don’t believe in love. I don’t know what love is. I am no one to love. I am not bittersweet with a glimpse between my mother’s key lime pie, and my father’s burnt lemon tarts. I am bitter. You don’t understand why I don’t discuss my first love with you. He is too sweet, and I am too afraid to admit that I am vulnerable – so I am bitter as a hypocrite confessing my feelings to the people of the gray.

They tell me that I shouldn’t invite them into my life if they are inconsistently in love, but love is anything but inconsistent. For since the second I have met I fell in love with his sweet eyes.

You couldn’t possibly understand why I don’t discuss my first love with you and it is because he is sweet, and I can’t fight the bitter sweetness to be vulnerable to admit for the first time – to any one:

“I love you too.”

–            Emilyn Nguyen, Bittersweet

 

 

Blank Canvases: New Beginings

In a bundle of blankets wrapped around my legs, my toes still wander among them. They curl in a cold numbness, but move slowly outside of the sheets, only crawling back for sanctuary when it had decided to wander too far, sending a glimpse of the winter air invading the warmth I feel.

In retrospect, there are several candles burning simultaneously. Scents intermixing and seemingly to interchange with each other – “Vanilla Bean  Noel”, “Leaves”, “Vanilla Frosted Cupcakes”, and “Apple Orchids”.  The beginning of the wax melting and the ends of the wicks burning into the glass Mason jar, their aura of entitled seasons and settings – colliding with memories gathering at the frontal cortex of my mind, telling me to “remember…”

I remember faintly, but waking up to a New Year, my eyelids are heavy amongst morning light, but I can still feel the ache of my body against the hardwood floor beneath me. There is a mess of my books scrambled amongst the polished hardwood floor. Paint brushes and pens are spread apart messily from each other next to opened paint palettes, and untouched new sketch books – all lying still as if I were painting still life; a beautiful mess.

My journals are opened up to my favorite entries, for I was frantically flipping through them for inspiration; in a frantic search for a new idea. I have a fear to become a closed, quiet, and reserved mind, but against the wall, a blank canvas is still at the head of the mess is white and waiting patiently for a painting anew.

I think I must have fallen asleep staring at the canvas. There is still a paintbrush in my hand, wet with moisture. I reached for my brown journal the simplicity in the page catches my eye. It says, “If you want to know where your heart is, look to where your mind goes when it wanders.”

Useless.

I must admit I have been an empty mind, searching for what my mother calls a “lost cause.” Empty canvases are bad luck.

I can taste the candle burning now, overpowering in the memories they have connected to this room – this home. I drag my blankets off my legs walking to the window, and the snow is too bright for my eyes. A new sheet of ice has appeared on my window, but the white sheet of blankness and stillness appeals to me, leading me to start wandering.

I am falling into a white abyss.

There are indications of where I am, but I am inclined to find the root of its origin. There are parts that remind me of my childhood like a flashback of photos – quickly, so you feel like so much time has passed. What you don’t see is all the time that is coming.

You don’t know how much time is coming, but think far. Think far ahead. Dream far ahead, and only look back when reflecting, to better improve yourself. Wander. Wander far ahead with your dreams tucked behind your ears.

I recall memories of comfort and dread and in between them now is where I lie. It is something that I am sure of; something I am connected to. It is a tangible feeling that I feel. One minute you imagine that you’re eight, and others an age of sixteen.

To realize, I quiver in a dream walking as a paintbrush on a white-as-snow canvas, letting myself fall heavily into a white abyss. New snow falls for a new year; this lost cause is a new beginning.

I’ve picked up the paintbrush and begun to paint.

Photography By: Michelle Dee

Currently Listening To: Move Together By James Bay

–           Emilyn Nguyen, Blank Canvases: New Beginnings

La Laconde (The Mona Lisa)

La Joconde1

Now that you’ve seen her face,
the skin between his fingers tingled of the emptiness of a brush:
That smile illuminated the world around her –
her patented smirk, softly carved out;
her delicate features,
her piercing stare spreading,
contemplating.

There are many counting countenances of those who try to replicate her – I.
the skin between my eyebrows, in wonder, in utter introspection,
Those eyes confused the audience around her:
For there is a woman with confidence in beauty.

Exceeding all manifested bounds.

From 1503,
From a canvas taut with lack of a woman’s color,
scraped the muter shades with a blade’s edge,
Layering her textures – alive.

Seeing and
Painting myself over the top.

Her paths are painted inset – layered beneath the certainty and knowledge of her years.
All of this useless chaos swirling in about these empty distractions, and feeble
pretense –
as you stare back at her, the roads seems clear.

Her scintillations glow a bit more gold than white,
in front of a locale of open fields, feared of windblown hair.
She is the center of the color blocked mountains.

Her perspective is in my self-possession.

Her lightly dust on her powdered skin
shading in soft contours in vibrant hues of blues
and,  reds and,  yellows and,  greens as forests grow.
Blending dusky shades and blurring shadows
to highlight regal undertones.

The names became opulent
a match for your alias,
She was Bernadette, Carol, David, Leo, Meryl – Myself.

Finished in 1517 to –
She is seen through the glass of geometric pyramids,
I am standing behind a crowd until I am the only one left standing,
And I have become her eyes, and her contagious smile.

I know what she in the canvas  is saying:
“I know what the wind tastes like,
and I am scared no longer.”
To be a woman,

to be a confident woman – with  ambition , dedication and pride…
To have the eyes and a smile illuminating the world around her,

 To be La Laconde.

–         Emilyn Nguyen, La Laconde

1: La Joconde: The Mona Lisa by Leonardo Da Vinci (French)