From Arm’s Reach

What do you do when your dreams are further than what feels like you can reach, but it is the only thing that feeds your heart and mind with adrenaline tingling throughout your body to the tips of your fingers and toes to only stretch further than you possibly could believe before? What do you do when your dreams are so full of uncertainty that you can’t help but ponder upon it every second of every day? How do you make the time pass faster to see where you would end up?  How do you slow down the process to make sure that you haven’t missed a step, or a moment to record this journey on paper with pen? Give me a moment to breathe, and ground myself in my roots; to inhale the air of determination, and exhale the stress that it beholds. I’ve found my voice and ambitions on the other side of places, those I am unsure of and unable to talk about until I get there. All I hear about, even now, are comments of uncertainty, and the shouts of markers that I have missed. All the thoughts that surround me are those of what people is unknown, and there is no faith from people but myself. They told me to walk away, but I know that I can push from millions miles further than they believe I can. An arm’s reach is only a step, but day by day, it’s an arm’s reach that will get me there. Reaching for heights that I will grasp one day, but for now, from arm’s reach.

–                Emilyn Nguyen, From Arm’s Reach

 

Blank Canvases: New Beginings

In a bundle of blankets wrapped around my legs, my toes still wander among them. They curl in a cold numbness, but move slowly outside of the sheets, only crawling back for sanctuary when it had decided to wander too far, sending a glimpse of the winter air invading the warmth I feel.

In retrospect, there are several candles burning simultaneously. Scents intermixing and seemingly to interchange with each other – “Vanilla Bean  Noel”, “Leaves”, “Vanilla Frosted Cupcakes”, and “Apple Orchids”.  The beginning of the wax melting and the ends of the wicks burning into the glass Mason jar, their aura of entitled seasons and settings – colliding with memories gathering at the frontal cortex of my mind, telling me to “remember…”

I remember faintly, but waking up to a New Year, my eyelids are heavy amongst morning light, but I can still feel the ache of my body against the hardwood floor beneath me. There is a mess of my books scrambled amongst the polished hardwood floor. Paint brushes and pens are spread apart messily from each other next to opened paint palettes, and untouched new sketch books – all lying still as if I were painting still life; a beautiful mess.

My journals are opened up to my favorite entries, for I was frantically flipping through them for inspiration; in a frantic search for a new idea. I have a fear to become a closed, quiet, and reserved mind, but against the wall, a blank canvas is still at the head of the mess is white and waiting patiently for a painting anew.

I think I must have fallen asleep staring at the canvas. There is still a paintbrush in my hand, wet with moisture. I reached for my brown journal the simplicity in the page catches my eye. It says, “If you want to know where your heart is, look to where your mind goes when it wanders.”

Useless.

I must admit I have been an empty mind, searching for what my mother calls a “lost cause.” Empty canvases are bad luck.

I can taste the candle burning now, overpowering in the memories they have connected to this room – this home. I drag my blankets off my legs walking to the window, and the snow is too bright for my eyes. A new sheet of ice has appeared on my window, but the white sheet of blankness and stillness appeals to me, leading me to start wandering.

I am falling into a white abyss.

There are indications of where I am, but I am inclined to find the root of its origin. There are parts that remind me of my childhood like a flashback of photos – quickly, so you feel like so much time has passed. What you don’t see is all the time that is coming.

You don’t know how much time is coming, but think far. Think far ahead. Dream far ahead, and only look back when reflecting, to better improve yourself. Wander. Wander far ahead with your dreams tucked behind your ears.

I recall memories of comfort and dread and in between them now is where I lie. It is something that I am sure of; something I am connected to. It is a tangible feeling that I feel. One minute you imagine that you’re eight, and others an age of sixteen.

To realize, I quiver in a dream walking as a paintbrush on a white-as-snow canvas, letting myself fall heavily into a white abyss. New snow falls for a new year; this lost cause is a new beginning.

I’ve picked up the paintbrush and begun to paint.

Photography By: Michelle Dee

Currently Listening To: Move Together By James Bay

–           Emilyn Nguyen, Blank Canvases: New Beginnings

The Present & Future

There is no future without the present day.

There is no present without an idea of the future.

Perhaps this is where our problems begin.

I wish I could be able to live more in the present,
but my head is always dreaming about a future.
I forget that I have to get there first.

I don’t have a future yet –
it has yet to only exist in my dreams.
So I lay my head down walking on clouds, as a dreamer.

I do not know what will happen –
Nothing is for certain, but for the sake of shame,
I admit it is the only thing that I have control over.

Now – Day by Day for and to a Future Anew.

I’ll admit that I carry a fear of the future,
its aura of mysterious vines and suspenseful drapes.
In my dreams , I am able to a push them aside,

Now – Dreaming of the Present,
What I must do for a New Future.

Finally, something we can agree on.

–         Emilyn Nguyen, The Present & Future

La Laconde (The Mona Lisa)

La Joconde1

Now that you’ve seen her face,
the skin between his fingers tingled of the emptiness of a brush:
That smile illuminated the world around her –
her patented smirk, softly carved out;
her delicate features,
her piercing stare spreading,
contemplating.

There are many counting countenances of those who try to replicate her – I.
the skin between my eyebrows, in wonder, in utter introspection,
Those eyes confused the audience around her:
For there is a woman with confidence in beauty.

Exceeding all manifested bounds.

From 1503,
From a canvas taut with lack of a woman’s color,
scraped the muter shades with a blade’s edge,
Layering her textures – alive.

Seeing and
Painting myself over the top.

Her paths are painted inset – layered beneath the certainty and knowledge of her years.
All of this useless chaos swirling in about these empty distractions, and feeble
pretense –
as you stare back at her, the roads seems clear.

Her scintillations glow a bit more gold than white,
in front of a locale of open fields, feared of windblown hair.
She is the center of the color blocked mountains.

Her perspective is in my self-possession.

Her lightly dust on her powdered skin
shading in soft contours in vibrant hues of blues
and,  reds and,  yellows and,  greens as forests grow.
Blending dusky shades and blurring shadows
to highlight regal undertones.

The names became opulent
a match for your alias,
She was Bernadette, Carol, David, Leo, Meryl – Myself.

Finished in 1517 to –
She is seen through the glass of geometric pyramids,
I am standing behind a crowd until I am the only one left standing,
And I have become her eyes, and her contagious smile.

I know what she in the canvas  is saying:
“I know what the wind tastes like,
and I am scared no longer.”
To be a woman,

to be a confident woman – with  ambition , dedication and pride…
To have the eyes and a smile illuminating the world around her,

 To be La Laconde.

–         Emilyn Nguyen, La Laconde

1: La Joconde: The Mona Lisa by Leonardo Da Vinci (French)

Draw My Breath

I have been trying for days after days, hours after hours, minutes after minutes, seconds after millisecond to figure out a way to describe that echoing in my chest as my heart cries out for you. It beats fast, then slow, only to be fast again because my mind relapses with images you, and the connecting breath from my lungs begin to lack air as you leave me breathless. With every full thump that drags in every breath that catches in my throat when I realize how intensely you lack a need for me. I only hoped your bones were captivated by fresh air they never get to feel; is that why they peek through your skin stretched taut as if they’re trying to putt through your nerve endings or is the air chilling your epidermis making goose bumps arise? Why do your hips and ribs jut out like they crave the atmosphere’s breath? The very act of breathing reminds you that you’re not whole – not without me, cried the heart; cried the skin’s drying touch; cried the eyes; cried the muscles aching. Save her, save me, for my heart won’t live without her breath. Yet the tattoo on her chest, her heart’s fighting beat contradicts the hope the lungs held: Do not resuscitate.

–         Emilyn Nguyen, Draw My Breath

To Be Sorry

 “Don’t come back here! I have a bomb,” he said with no hesitation in his voice.

With an undertone of laughter, he pointed at me with pure determination to frighten me away. As laughter arose from the depth of the leather bus seats and the black aisle, he was joined by the other kids in roars of squeals and giggles. I walked down the bus aisle to find an open seat, praying it would be the next. As he pointed, I took a few steps back. Hold your head high. Hold your tears back. I heard my father’s voice in the back of my head. Hold your chin up, look him right in the eye.  I remembered my grandfather said in his story of a war he once lived through. His wrinkles on a corner of his eye as he pounded his fist against the table to get a strong point across. There was no fear in his eyes, his body figure was tall and strong as I looked up at him. I’ve been through this before. Pre-school, when I came home with red blotches on my skin – bruises forming from an abusive friend. She was ‘just kidding’.

 As I made me way to the back of the bus to find a seat, he began to chant louder into my ears. “Don’t come back here! I have a bomb! Don’t come back here! I have a bomb! Don’t come back here! I have a bomb!” he repeatedly shouted. A silent storm started to erupt. Snowflake turned into hail as its rage, but I forced the tears behind my eyelids till it ached; till my heart began to pound harder and my skin began to react to the heated yellow bus.

Slowly but cautiously my feet started to move, as if courage was something I was taught; as if my heart could tread any faster or as a myocardial infarction could erupt. My feet were weights, dragged on by life, as it must go on. My dry slanted eyes of my ethnicity forced tears back until my eyes were a desert that never sought water. My hands climbing back to the back while eye were captured on me, my hands trembling towards every seat. A treacherous journey, day by retched day, hour by hour, minute by minute, second by slowing second. My head was constantly on a move to find a seat. I repeat: a seat.

 My eye caught onto a girl crying. I remember her face. Her long dirty blonde locks down her back. I remember her. “Sixteen and pregnant”. I remember her name from the whispers down the hallway. To believe them was enforced by the cliques of popularity. She was a savage sent off from the clique: let go. A used tool of a popularity game. True or not, she was human, and beautiful. Her beauty was a bright, glowing face, blonde hair down her slim figure against the others in her group of friends. Her face in the hallways, as she stopped me. My face covered in acne, from the late nights stress and heredity’s genes. My eyes in complete shock to what exploded out of her mouth, “There might be some acne cream to fix your face, but it won’t fix you.”

As if the rumors were worth a death of innocent girl. Rumors hold a fate, as if words meant more than truth. Jealousy raging and fighting an innocent girl who gave me the same fate. I looked at her, and her eyes were placed on mine, and I opened my mouth and said, “I’m sorry”, as if there was no past between us. I smiled at her, and her tears started to ease. Her stained face of mascara started to dry upon her face. She smiled and started to laugh among the other on the bus.

Quick remarks, and kind hearts could only go in such way. Maybe we met at the wrong time, and that’s what I’ll tell myself for now. Maybe one day, years from now, we’ll meet again, and we could give a friendship another shot. For now laughs from afar seemed too close, and hallucination-like views were too real to be forgiven. Chanting kids like screaming angry chimpanzees on Animal Planet.

If finding a seat was this difficult, maybe walking a few miles home seemed to be easier. I turned away and started to walk towards the exit of the bus, the bus driver giving me an ugly stare, “Where are you going?” he asked. The bus monitor’s stubborn eyes glared at me.

“I’m sorry,” I said. ‘Sorry’ seemed to be the only thing I could say. I repeated, “I’m sorry”. Sorry, a word of apology, a word for expressing pity.

“Nothing to be sorry for, but please take a seat,” he said.

 I nodded. “Sorry.”

Again, a seat on a full bus of kids was rare. Two in a seat. “Can I sit with you?” I asked a girl. Her brown hair was put up in a messy bun, her soccer cleats on her lap.

“No. This might be too close to the back for you. I don’t want to be hurt by the bomb too.” She replied.

I nodded. Again: “Sorry.”

I reached the back of the bus, closer to the boys who acted as terrorists. As if my eyes defined who I was – it did, but as if it defined who I was in the inside. Stereotypes are too mainstream.

 Closer I came to the back of the bud, kids were joined in by other kids on the back of the bus, one screamed, “Do come back, maybe It’ll straighten out your eyes!” Laughs started to erupt, exploding from a volcano. Sparks falling from the sky, first piercing my skin, then burning it, killing me. I sat next to that boy…the bus monitor asked him to move over so I could take a seat. His eyes were watering. I wasn’t sure if he wasn’t taking his bad day out on me or if it was from the laughter. As if it was funny from the beginning.

 To this day, these words still ring throughout my ears, and it’s still packed in the back of my mind. I still remember the people who were on that bus, their faces and how they still give me dirty glares as I pass down the hallways. Maybe a few years from now, in a café shop, we’ll get along, and maybe we could give it another shot, starting with a hello.

 I looked at him with his spiky hair in class today, and he helped me pick up my stuff when I dropped it. While picking papers up, our hands collided and our head bumped, and I didn’t realize it was him, but he has the same eyes: blue and bright. I forgave him for everything…”Sorry.”

–         Emilyn Nguyen, To Be Sorry

Doors

I always had an admiration for doors as you did. The doors were the springs in simplicity that kept me grounded all these years – never to leave the house after six and before six without telling him. You tried throwing away the trinkets she left behind, but still, you loved her like you loved the front door she made aside you. Left open, you exchanged the screen doors for glass because one day, you believed that she would be staring through it again, clear through glass rather than distorted. You didn’t want to admit you loved the light but hated the evening winds – you believed they blew her away. The doors reminded you of hope as they do in uncertainty but in your reprimanding depth, I said they were reminders of hope to create the frames of uncertainty; shall I leave it open or closed, summer sun or in springs rain, glass or screen. No one can discover what lies behind their hinges with a quick glance. If she will return with her eyes of apology or in hope of shelter. Yet, I still loved doors. For every one held its own adventure, its own journey, its own story – fate of love or hate – but see, you began to hate doors. Your mind as hysterical as mine when you began to forget my name. You decided you would rather close them – the doors. You always liked to tear things down instead of build them up. You made me replace the glass with the screen, so you could feel the winds. Now that you’re relapsing into Alzheimer’s superiority, you’ve forgotten about mom, no longer waiting for her to return at the door. Yet, I waited for you to return. When I trusted you to open my doors and you slammed it right in my face, but I knew it wasn’t you, Dad, your conscience slowly deteriorating. You crushed my insecurities in the small cracks I let hope try to shine through. The door we made together, sanded together began to rust into dust. You splintered my heart on the wooded frames I gave to you to protect. I painted you with the brightest, loveliest colors of yellow, invested in every brush stroke I made because even when you wanted it closed, I knew somewhere you wanted the light again. You hated doors and I hate that I trusted you enough to open mine, so I did, and once you saw mom, I had knew that in my uncertainty, you had found hope – only leaving me to mine.

 –         Emilyn Nguyen, Doors

The Eight Figure Knot

It was the adrenaline of being tangled, swinging many feet from the ground, with you, holding the rope, anchoring me, keeping a hold of me even when I was levitating miles above. From the top, my arms were cramping up, and my legs were shaking – my fear unbearable – but I quickly close my eyes and climb further up looking down when my heart was speeding at its brink and – there you are.

You look like the boy who kept his desk too clean in Elementary School. The boy who rose his hand to answer all the questions in Middle School, moving on to High School as Valedictorian. You look like the boy who grew up denying everything, as if you were any less than a common man – you are not a common man. You remind me of myself, with your glasses always standing firm at the bridge of your nose. Securely they stand, reflecting the light when you turn your head from side to side, glancing at the rock wall; glancing at me. You seem like one to savor the rain, and the humidity of an exotic forest; one to capture every moment in a picture even if the droplets are pelting into our skins. Your hair is short but long enough for me to notice the curls above your ears. They collect sunflower pollen, and you don’t notice, but the curls above your ears constantly dancing to the light shown in.

You seem to be the equivalent to my white bedroom walls, holding my secrets to the brown wooden frames capturing my success. I believe that they are bound with the ties to my God. My religion forbids suffering, but my desire persists. I admit that there is dust collecting on my bookshelves and perhaps this is a sin to my desires. Scarcely, I am heard, with my mind that creates the words: I am ready.

The vines I have started growing up these walls, and I know that the time has come. I tuck my hair behind my ears, and let my eyes wander to analyze your face, only when you aren’t looking. I see your eyes in my peripheral vision, so blue, and clear to me, as you tie the ropes to my waist.

My reflexes – even for my eyes – are fast, but it is hard when I am with you. Your eyes keep meeting mine, as you tie the robe to my harness, the rope gliding against my skin, and around my waist precisely. When our fingers touch I wonder if the butterflies that flooded me reached and carried throughout you.

My fingers trace the rocky walls – rough, and I analyze the heights I will climb, and I close my eyes, as I feel your hands bend the rope into an infinity sign – twice. Despite my angst of heights, my fear seems to be approaching its death. I tuck my discomposure away behind my eyes, and this time, I hide from my anxiety, from these thoughts. I glimpse down at the ropes last knot, and lastly at your eyes, and I know that: I am ready.

You tell me that once you reach the top yell at the top of your lungs that you’ve made it, because “you are capable of everything” and your worlds ring inside of me. Your hands are worldly to a fortune teller. You were everything you aspired to be – everything I aspire to be. Climbing became your hobby, for you were afraid of shallow living only aiming to heights. With this in mind, I realize: I’ve made it.

I looked down at my palms, lines and creases, blended alike. You are worldly. Your hands are worldly to me. Eight times again – Infinitely.

–          Emilyn Nguyen, The Eight Figure Knot

Birthday Wishes

From the first to the last day, I want to write a story about the memories I’ve experienced and the words I’ve exchanged. Sentences to chapters I’ve written, avoiding the sun, because it was something we could never control. As the earth moves, and the sun – so stationary stays – daylight soon moves to sunset, quickly to night, and the moonlight blinds me, and all I know is the time is drying out. I write and write as the sun rays glide across my paper, sometimes blinding me, and my story never is complete – never feels complete. I sit on a hill; a forty five angle away from the sun, for it isn’t like a candle I can relight, but my candles are blown out, the night sky finally fades and I wish to be a year younger, never to let go the memories, for words were never enough.

– Emilyn Nguyen, Birthday Wishes

My Father’s Shadow

My shadow holds me against my bones, reminding me that I am a whole, walking to the place on paper, speaking in dark shadows of words. Be the whole, be the half, be the fraction of a fourth that becomes missing. If this slicked hair becomes hazy in the shadow, my shadow is lying. I am the mess, covered by a shadow – my shadow, or yours. I hope my shadow is the handshake with my father. I hope he’s back to stay, beside me, dancing shadow in shadow until the rose fades to black as night time dawns, taking my father away from me again. Shadow, come back with my father. Be back with his shadow, because I am not whole without his touch, I am lost. Be the handshake with my father for just one night. The roses clutched tightly in my palm, forgetting the thorns for just one night. When the light returns I hope he’s there, but you’ve left me with a white rose, and his shadow behind me, watching me love at my own pace.

–         Emilyn Nguyen, My Father’s Shadow