Doors

I always had an admiration for doors as you did. The doors were the springs in simplicity that kept me grounded all these years – never to leave the house after six and before six without telling him. You tried throwing away the trinkets she left behind, but still, you loved her like you loved the front door she made aside you. Left open, you exchanged the screen doors for glass because one day, you believed that she would be staring through it again, clear through glass rather than distorted. You didn’t want to admit you loved the light but hated the evening winds – you believed they blew her away. The doors reminded you of hope as they do in uncertainty but in your reprimanding depth, I said they were reminders of hope to create the frames of uncertainty; shall I leave it open or closed, summer sun or in springs rain, glass or screen. No one can discover what lies behind their hinges with a quick glance. If she will return with her eyes of apology or in hope of shelter. Yet, I still loved doors. For every one held its own adventure, its own journey, its own story – fate of love or hate – but see, you began to hate doors. Your mind as hysterical as mine when you began to forget my name. You decided you would rather close them – the doors. You always liked to tear things down instead of build them up. You made me replace the glass with the screen, so you could feel the winds. Now that you’re relapsing into Alzheimer’s superiority, you’ve forgotten about mom, no longer waiting for her to return at the door. Yet, I waited for you to return. When I trusted you to open my doors and you slammed it right in my face, but I knew it wasn’t you, Dad, your conscience slowly deteriorating. You crushed my insecurities in the small cracks I let hope try to shine through. The door we made together, sanded together began to rust into dust. You splintered my heart on the wooded frames I gave to you to protect. I painted you with the brightest, loveliest colors of yellow, invested in every brush stroke I made because even when you wanted it closed, I knew somewhere you wanted the light again. You hated doors and I hate that I trusted you enough to open mine, so I did, and once you saw mom, I had knew that in my uncertainty, you had found hope – only leaving me to mine.

 –         Emilyn Nguyen, Doors

The Eight Figure Knot

It was the adrenaline of being tangled, swinging many feet from the ground, with you, holding the rope, anchoring me, keeping a hold of me even when I was levitating miles above. From the top, my arms were cramping up, and my legs were shaking – my fear unbearable – but I quickly close my eyes and climb further up looking down when my heart was speeding at its brink and – there you are.

You look like the boy who kept his desk too clean in Elementary School. The boy who rose his hand to answer all the questions in Middle School, moving on to High School as Valedictorian. You look like the boy who grew up denying everything, as if you were any less than a common man – you are not a common man. You remind me of myself, with your glasses always standing firm at the bridge of your nose. Securely they stand, reflecting the light when you turn your head from side to side, glancing at the rock wall; glancing at me. You seem like one to savor the rain, and the humidity of an exotic forest; one to capture every moment in a picture even if the droplets are pelting into our skins. Your hair is short but long enough for me to notice the curls above your ears. They collect sunflower pollen, and you don’t notice, but the curls above your ears constantly dancing to the light shown in.

You seem to be the equivalent to my white bedroom walls, holding my secrets to the brown wooden frames capturing my success. I believe that they are bound with the ties to my God. My religion forbids suffering, but my desire persists. I admit that there is dust collecting on my bookshelves and perhaps this is a sin to my desires. Scarcely, I am heard, with my mind that creates the words: I am ready.

The vines I have started growing up these walls, and I know that the time has come. I tuck my hair behind my ears, and let my eyes wander to analyze your face, only when you aren’t looking. I see your eyes in my peripheral vision, so blue, and clear to me, as you tie the ropes to my waist.

My reflexes – even for my eyes – are fast, but it is hard when I am with you. Your eyes keep meeting mine, as you tie the robe to my harness, the rope gliding against my skin, and around my waist precisely. When our fingers touch I wonder if the butterflies that flooded me reached and carried throughout you.

My fingers trace the rocky walls – rough, and I analyze the heights I will climb, and I close my eyes, as I feel your hands bend the rope into an infinity sign – twice. Despite my angst of heights, my fear seems to be approaching its death. I tuck my discomposure away behind my eyes, and this time, I hide from my anxiety, from these thoughts. I glimpse down at the ropes last knot, and lastly at your eyes, and I know that: I am ready.

You tell me that once you reach the top yell at the top of your lungs that you’ve made it, because “you are capable of everything” and your worlds ring inside of me. Your hands are worldly to a fortune teller. You were everything you aspired to be – everything I aspire to be. Climbing became your hobby, for you were afraid of shallow living only aiming to heights. With this in mind, I realize: I’ve made it.

I looked down at my palms, lines and creases, blended alike. You are worldly. Your hands are worldly to me. Eight times again – Infinitely.

–          Emilyn Nguyen, The Eight Figure Knot

Birthday Wishes

From the first to the last day, I want to write a story about the memories I’ve experienced and the words I’ve exchanged. Sentences to chapters I’ve written, avoiding the sun, because it was something we could never control. As the earth moves, and the sun – so stationary stays – daylight soon moves to sunset, quickly to night, and the moonlight blinds me, and all I know is the time is drying out. I write and write as the sun rays glide across my paper, sometimes blinding me, and my story never is complete – never feels complete. I sit on a hill; a forty five angle away from the sun, for it isn’t like a candle I can relight, but my candles are blown out, the night sky finally fades and I wish to be a year younger, never to let go the memories, for words were never enough.

– Emilyn Nguyen, Birthday Wishes

My Father’s Shadow

My shadow holds me against my bones, reminding me that I am a whole, walking to the place on paper, speaking in dark shadows of words. Be the whole, be the half, be the fraction of a fourth that becomes missing. If this slicked hair becomes hazy in the shadow, my shadow is lying. I am the mess, covered by a shadow – my shadow, or yours. I hope my shadow is the handshake with my father. I hope he’s back to stay, beside me, dancing shadow in shadow until the rose fades to black as night time dawns, taking my father away from me again. Shadow, come back with my father. Be back with his shadow, because I am not whole without his touch, I am lost. Be the handshake with my father for just one night. The roses clutched tightly in my palm, forgetting the thorns for just one night. When the light returns I hope he’s there, but you’ve left me with a white rose, and his shadow behind me, watching me love at my own pace.

–         Emilyn Nguyen, My Father’s Shadow

Hide and Seek

It took a long while for you to find me
through our treasure trove.
Look for me, and an acquisition it was,
my heart treaded to your tarantella.

Through the white desert sandy blankets and the spilled seas,
you came to search for me.
Closets, Hidden Hatches, Attics,
I told you to find me, come protect me.

Despite the tedious counting, you told me you were coming.
I questioned if you had surrendered to your fear of fear,
so you could win one battle against these chromosomes.
I thought I’d be lost forever, that you’d be lost forever.

Marco to the Polo,
crimson tie-dye on your childish shirt,
Colors wanting to collide, to bond but only,
Stuck between two intersecting ways of a chromatography-inked maze.

I yelled, “Over here!” to help you,
only to confuse you with the echoes drumming in your ears.
I was paralyzed in time, tick to the tock, dusk to dawn.
Waiting – hinting you by ruckuses, pots and pans,
making it easier for you, from my love for you.

Only until you reached my hiding spot,
your face became blank, striking with fear in your soft cheeks,
I had realized you weren’t looking for me, in a childish game:
You were looking for a hiding spot of your own.

–         Emilyn Nguyen, Hide And Seek

Note from the Poet:
This poem is about my cousin, who had been diagnosed with Down Syndrome. When we were younger, we enjoyed the simplest of life’s pleasure such as ‘Hide and Seek’. He is the most clever little [maybe not so little anymore] boy. He is the brightest kid I know. Despite his disorder, I was never so proud of him each and every day developing like any other kid in the world. Labeling him disabled was never an option. There was a never ending quality to him that some of are missing in our lives everyday: happiness.

One out of seven hundred babies each year are born with Down Syndrome. Genetically common, four hundred thousand people in the United States harbor this condition. When Down Syndrome occurs when an individual has a a full or partial extra copy of chromosome 21. The enticing material alters the course of development leading to health problems and causes the characteristics associated with Down Syndrome: low muscle tone, small stature, an upward slant to the eyes, and a single deep crease across the center of the palm.

I came across a program that gears independent fundraisers interested in raising money on behalf of the National Down Syndrome Society (NDSS):

NDSS Your Way is an online program geared towards independent fundraisers interested in raising money on behalf of the National Down Syndrome Society (NDSS). Participants in this program create personalized fundraising web pages in support of an event or individual pursuit. Each individual event is hosted independently and oversight is provided by  NDSS.

Fundraisers are invited to create a customizable web page in one of three categories—Compete, Celebrate and Create—no matter which category you choose, your personal page can pay tribute to someone who inspires and motivates you.

As a Fundraiser, you are helping to further the mission of the National Down Syndrome Society. NDSS works to create a culture that values, accepts and includes the more than 400,000 Americans with Down syndrome. NDSS envisions a world in which all people with Down syndrome have the opportunity to enhance their quality of life, realize their life aspirations, and become valued members of welcoming communities.

I encourage everyone to check out the website and donate.

– Emilyn Nguyen, Hide and Seek 

Falling in Love with an Artist

Illusions are where we were bound – Indelible.
I fell for the artist, as a writer, embedding his love into black ink.
He painted the words I could no longer write:

Ask the priest down the street about the heart you wish to possess;
how you want to relapse the emotion you once had after widowed.
You merely questioned how one’s pure beating chest,
wasn’t contracted with a light headed soul as yours
– now that you’ve seen her face,
the skin between your fingers tingled with an emptiness of a brush.

In a year, your scintillations glows a bit more gold than these blue ink pens,
a locale of open fields  and color-blocked mountains use as a barricade.
Paths painted inset – layered beneath and below the certainty of years,
all of this useless chaos swirling in about these empty distractions, and feeble
pretense –
as you paint her; sculpt her colors.

Enfold our inevitable surrender,
sculpting faces in 100 Celsius; sloughing yellowed paper to Mache her skin.
Pressing your face against the damasked canvas to remember,
her neck of a turquoise necklace, on your rosewood table
as you paint a familiar face.

Saved a memory in the clot in your forehead,
that you’ve strayed into sickle shapes and fickle pieces.
Cautiously you paint her ashes red of your pain, her eyes emerald green and blue:
Spring has come, and you remember her face as you sit here…
Plucking flowers from her grave.
We were the notch in the naïf; complete tessellations in a slew of opals.

He blew past me, subtle in strength, silent in the hymns of prayers;
transfixing beauty to the encounter of the wind
gentle as breeze lifts seeds off dandelion manes, spiraling, winding.
An echo in his heart conjures up a colorful time torn beneath his feet.

He was the color endowed in me, painting flowers on my grave.
Loving him was the fortunate occurrence of serendipity in each page I wrote
like the scintillating sun follows, brightest as we become a climatic whole.

–          Emilyn Nguyen, Falling in Love with an Artist

Paper Airplanes

You challenge an innocent being:
Chasing her soul on the wall her shadow fell upon,
she beckons to run far ahead,
but she hid in the mist of your making: an illusion of your trickery.
She coughs up you only to be breathing you again,
thick and heavy, devouring in you – pounds of your opium embedded inside her.

You drown her in gases, synthetic poetry:
It makes her go numb,
up and down her red and blue veins,
dumb on the brisk of cold frost on grass tips as
mountains tips only croon towards her, leaving her hanging on a cliff,
falling, then flying to heaven – only to have you shake her out of the clouds again.

You scorch heroin into her, dictating her vision:
Blinded by truth violated by your words, exposed in a mirror,
Her heart limps, throats sore, bruised lined skin, slit throats
dried lips to alcoholic kisses,
an aching body left on the bottom emotional shelf.
Passive, Aggressive: Murder – Inability to grieve, Inability to receive…

Bombarded her with paper airplanes, love notes:
her flesh being imprinted with dropping spitballs,
carrying jokes dark as the bags under her eyes –
dark as the memories they may possess.
Pulses quickening towards a swift, sick conclusion of humor,
erupting World War because

You were afraid to tell her you loved her.

–         Emilyn Nguyen, Paper Airplanes